Spatula Ranch Studios has moved around over the years, from the early days in Hoboken, NJ, where the majority of The Ghost Rockets tracks were recorded, to the living room of a 3rd floor brownstone walkup in Washington Heights, NYC, where the first Dixie Bee-Liners CD was born, to the upper floor of a house in Abingdon, VA, to the lighting booth at Converse College’s Hazel B. Abbott Theatre in Spartanburg, SC, to a bedroom closet in Hermitage, TN, and currently a spare bedroom in Nashville.
Starting with analog tape before moving to PreSonus’ Studio One software, a few bits of ancient but beloved outboard gear and a modest mic cabinet, the goal has always been simplicity, forethought, and the use of available space to create unique sounds.
KEL HM-1 small diaphragm mic (sadly they're no longer in business)
Sam Morrow cutting banjo on "Susanville" demos through a KEL HM-2
Jeremy Darrow cutting "Susanville" demos in Abingdon, VA
Rachel Johnson cutting "Susanville" demos
Stereo micing a Celtic harp with a pair of KEL HM-2's.
Getting ready to record George through a pair of KEL HM3-C's, Spartanburg, SC.
Recording fiddle with Jenny Obert with a vintage CAD Equitec-200 in Nashville.
Banjo through a KEL HM-7U
KEL HM-7U...and excellent all-around vocal and instrument mic.
Banjo tracking with a KEL HM-3C and circa 1940's RCA 74-B Junior Velocity ribbon mic.
Oktava MK-012-01 small condenser "pencil" mics...the poor man's KM84.
JoeMeek TwinQCS combination mic pre/optical compressor, aka "The Green Machine"
Recording Dixie Bee-Liners first CD, New York City
The ever-present tea break...
Saint Susan Cowsill watches over all...
Spatula Ranch
Some gritty rhythm guitar using "Towser" through a little Fender Pro Jr. that I bought from Jef Smith many moons ago.
Emma supervising another session in the studio.
Emma keeping the instruments warm, or maybe the other way around.
Vocals through the KEL HM-7U. Great vocal mic...sad they're no longer in business.